Skip Whitcomb
Purity of Vision
Episode 21
Episode length: 2 hours, 4 minutes
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Skip Whitcomb says the subject of a painting is the painting, not the subject itself! He reasons that the viewer will never see the actual subject. Therefore, we must make that painting as captivating and poetic as possible. It’s nothing more than paint on a canvas. This is what we attempt in its purest form. Skip states: “Once you internalize the language of painting, you never see the world the same way. It never leaves you. The veil of rational order is lifted and what hangs in the air are sensations of painted possibilities. On good days, some would call it poetry.”
Skip Whitcomb resides in Colorado. He has received numerous awards for his landscape paintings in oil and pastel. At the 2017 Prix de West Show in Oklahoma City, for example, Skip was honored with the Donald Teague Memorial Award, for best work on paper. Skip is an active member of the Plein Air Painters of America. In fact, it was at PAPA event at the Booth Museum of Western Art that I first met Skip.
In this episode of the Artful Painter, Skip shares his Five Principles of painting that each artist must master. His love of nature and geology are integral to his art-making. He is not a painter simply passing through the landscape of the American West, he lingers at each location, intently observing. Skip says his time outdoor painting is his opportunity to harvest ideas and concepts. Often visiting the same locations, these timeless places become like old friends who continue to delight you as you discover new things about them. Skip seeks purity of vision in his work.
Click on the images above for a larger view.
Links:
Skip Whitcomb https://www.skipwhitcomb.com
Plein Air Painters of America: https://pleinairpaintersofamerica.com
The Ice Finders: How a Poet, a Professor, and a Politician Discovered the Ice Age – by Edmund Blair Bolles (paid link)
The Anatomy of Nature: Geology and American Landscape Painting, 1825-1875 – by Rebecca Bedell (paid link)
Landscape Painting – by Asher B. Durand and Birge Harrison (paid link)